Steady Pace

With her third book out in as many years this summer, AU alumna Alison Pace (BA Art History ’93) has become a force in the “chick lit” world. Through Thick and Thin (Penguin Group, 2007) follows two sisters in their respective quests to better themselves by losing weight and finding companionship. “The inspiration for the current book,” says Pace, “was thinking about how friendships and relationships can and must change so much as people get older.”

Through Thick and Thin coverPace likes to change style, play with point of view, and reinvent conflict from one book to the next—and even within a book. “I do sometimes find myself disenchanted with a topic or with my ability to say anything new about it,” she says, “but as long as I commit to staying the course, I’ve been able to recapture the initial enthusiasm for a project.”

Certainly, others express enthusiasm for her work. Critics have praised her singular writing style and readers and reviewers hail her talent for creating endearing and realistic characters. Despite what anyone says about her, however, Pace remains true to her original goals as a writer: “I really just want to be able to keep writing novels. I hope that I’m telling some interesting stories that people might connect with; I hope I’m making readers laugh or smile and think about some things a bit, too.”

—Brendan Steidle


Math's Mysteries Manifest

If code breaking, comedy writing, and 3-D glasses are not things frequently associated with math courses, AU’s Department of Mathematics and Statistics is looking to change that with one of their new offerings. Tentatively titled Great Ideas in Mathematics, the class is being piloted under the Math 154 course heading, with an application for its own course designation currently pending.

“In a standard algebra class, most of the focus ends up on the specifics of manipulating equations,” says Michael Keynes, director of undergraduate studies in the math department and a course instructor. As a result, students rarely develop a deeper understanding of and appreciation for math. “It’s like taking a writing class that focuses on grammar and spelling.”

Great Ideas in Mathematics is different. Instead of focusing on mechanics and equation solving, the course emphasizes the key concepts underpinning mathematics. Keynes explains, “The class is for students who have taken math but want to see more; instead of studying grammar and spelling, they want to read poetry.” It’s also for students who have struggled in traditional math classes, either because those classes focused strictly on calculations or failed to

provide a deeper context. “This course really tries to teach students to think analytically—which doesn’t sound like much, but it is,” says Jeff Hakim, professor and math department chair. “In the past, we knew our finite math students did not have a deep understanding of the material because, when we tweaked the problems ever so slightly, they couldn’t do them.”

While the fact that the course textbook was cowritten by a Tonight Show contributor doesn’t hurt, the effectiveness of Great Ideas mainly has to do with its experiential approach to mathematical concepts. Instructors invite students to explore these concepts through experiments involving such activities as code breaking, puzzle solving, and examining platonic solids through 3-D glasses. Students then apply their findings to a variety of mathematical problems.

“The course helps critical thinking like no other,” asserts Vladimir Skoric ’08. Skoric, who took the class last spring, says its hands-on approach and text that “reads like a real book” increase students’ understanding of essential concepts and show them how to apply these concepts to diverse mathematical situations. “We did exercises that literally made us think outside the box.”

—Jessica Tabak

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