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Past Exhibitons: ART of CONFRONTation

November 2007 to January 2008

ART of CONFRONTation brought together three major shows—and a series of public events—to emphasize their overarching themes of political and social protest. Artist Fernando Botero has created powerful works that are focusing the world's attention on human rights and the abuses that occurred in the notorious Abu Ghraib prison during the U.S. occupation of Iraq. Claiming Space featured works by early American feminist artists from the 1970s who fought to end sexism, gender bias, the Vietnam War, and the social, political, and economic oppression that was at its root in America. Dark Metropolis featured highly detailed, monumental works by Irving Norman that critique the inhumanity of war, the inequity of capitalism, and the tyranny of the elite.

 
Fernando Botero, Abu Ghraib 72, 2007
Fernando Botero
Abu Ghraib 7, 2004
Courtesy Marlborough Gallery, New York, NY
See more about Fernando Botero: Abu Ghraib
Miriam Schapiro, Anatomy of a Kimono (detail), 1975-76
Miriam Schapiro
Anatomy of a Kimono (detail), 1975-76
Galerie Bruno Bischofberger, Zurich, Switzerland
See more about Claiming Space
Irving Norman, From Work, 1978
Irving Norman
From Work, 1978
Courtesy Fine Arts Museums of San Francisco
See more about Dark Metropolis: Irving Norman's Social Realism
Bo Simeo, Proposed installation at Katzen Arts Center, 2007
Bo Simeon
Bo Simeon, Framed Window, 2007
See more about Architecture/Sculpture
Steropes, 2006
Jules Olitski
Steropes, 2006
See more about Jules Olitski: Late Sculpture

ART of CONFRONTation featured three concurrent exhibitions:

 

This will be the first complete showing in the U.S. of Paris-based Fernando Botero's 79 paintings and drawings depicting the torture of prisoners at the Abu Ghraib prison in Iraq. The exhibition came to the AU Museum from Milan, Italy, and heads next to Monterey, Mexico. The first U.S. showing was at the Marlborough Gallery in New York City last fall and appeared at UC Berkeley this past spring.

"American University's long-standing commitment to international human rights makes us a natural host to display Botero's work," claims AU Museum Director and Curator Jack Rasmussen. "Through his distinctive painting style, our students, faculty and, especially, the Washington, D.C. community will be able to discuss human rights and war not through a political lens, but through art. Art cannot change the war but it can bear testimony."

Also on tap is an exhibition of American feminist art curated by pioneering feminist scholars and AU professors Norma Broude and Mary D. Garrard which reverses stereotypes about women's work with a showcase of pieces that are large and politically confrontational, not delicate and self-effacing.

"This show's focus reiterates the original feminist initiative, which was to claim space for women in an art world that had given them little space and in a society that had traditionally allotted them a smaller place, outside of the public arena," suggests co-curators Broude and Garrard.

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